Interior mockup: a large wall-mounted screen in a wood-panelled room with cube stools, displaying an IKEA Kobenhavn case slide (Sag 24 033) with a photo of two people walking past the store's landscaped entrance.

Overtone designs order that leaves room to grow for landscape architects

Agency: Overtone®
Client: 1:1
Published: 07.09.26
Author: Rasmus Vestergaard

After twenty years in practice, Danish landscape architecture studio 1:1 Landskab had outgrown the identity it launched with, the visual language no longer matched the maturity or focus of the studio it had become. "The previous identity no longer reflected the maturity, focus and personality of the studio or the way they work today," says Overtone founder and creative director Nicolaj Bak. "The task was to close that gap and create an identity that felt more aligned with who they had become, while giving them a clearer and more distinct presence in the field of landscape architecture." Aarhus-based Overtone built the new system around a tension already present in 1:1's own work: the meeting of precise structure and organic growth. Nordic Brief spoke with Bak about the redesign.

Exterior signage mockup: a black illuminated box sign mounted on a perforated metal building facade, showing '1:' and '1' split across corners with the small wordmark '1:1 Landskab'.
Black-and-white photo of a grey card printed with the '1:1' logo, balanced on a rolled fabric tube against dramatic light and shadow.
Logo construction diagram on black: the 1:1 Landskab wordmark's rounded terminal isolated and enlarged, with circular guides and dashed measurement lines marking a 68% proportion twice over.
Primary logo build for 1:1 Landskab on a pale pink grid: the bold black '1:1' mark with unit-spacing guides, captioned on the logo combining balanced typography with organic forms.

Where structure meets the organic

The new identity is anchored in a contrast: a restrained, black-and-white graphic system paired with a logo built from precise typography and softened, irregular edges. The palette stays deliberately quiet so that colour enters the identity through photography instead, landscape imagery blurred into gradients, used where the system calls for colour rather than applied as flat brand colour. "Rather than adding flat colours to the system we blurred landscape architecture images to create an organic way of using colours when needed," Bak explains. The grid and layout system stay fixed across applications, while the logo itself is treated as a flexible element — it can be split apart and recomposed depending on the format, letting the identity shift character without losing recognition.

That same logic shaped how Overtone positioned 1:1 as a studio rather than a large architecture firm. "We wanted the identity to reflect the values and approaches of the two partners who lead the studio. Playfulness, honesty and personality were some of the key qualities we worked with," Bak says. "These are reflected in the balance between a simple, precise graphic system and the softer, more playful elements of the identity. The restrained black-and-white palette and structured layouts create clarity and leave room for professional expertise, while the organic logo and more flexible graphic elements add personality. Together, this creates an expression that feels personal and focused rather than corporate or institutional."

Brand system reference page: the FT System typeface by foundry FROST (designer Harrison Marshall, 2022) with a full alphabet specimen, the '1:1' logotype build grid, and a list of 1:1 Landskab's case projects with reference numbers.
Colour palette page for 1:1 Landskab: black, white and six greys with hex, RGB and CMYK values, paired with a grid of blurred landscape photos showing the tones drawn from nature.
Old logo for landscape architecture studio 1:1
New logo for landscape architecture studio 1:1
Nordic Brief
How was that tension of structure and growth translated into concrete design rules?
Nicolaj Bak
The logo starts from a precise, structured shape, which is softened by organic edges inspired by the way planted beds gradually take shape and evolve over time. The contrast is also reflected in the colour palette. The identity itself is kept predominantly black and white, creating a structured and restrained framework for the colourful landscape photography. Rather than competing with the imagery, the graphic identity allows the landscapes to take centre stage.
Nordic Brief
How did you find the balance so the logo could feel alive without becoming decorative or "nature-romantic"?
Nicolaj Bak
The balance came from keeping the basic form of the logo simple and precise. The organic quality is introduced through subtle irregularities and softened edges rather than through literal references to nature. This gives the logo a sense of movement and life while keeping the overall expression controlled and understated. Rather than using an direct nature symbol we made an abstraction of how nature always softens things.
Nordic Brief
Which parts of the system are deliberately stable, and which are designed to shift character across formats and projects?
Nicolaj Bak
The layout and grid system provide a consistent structure across the identity, while the logo can be more flexible in certain circumstances. It can be split and used as a graphic element in different compositions, allowing the identity to shift character depending on the format and context without losing its recognisability.
Nordic Brief
What role does the blur or abstraction play? What can it communicate that a sharp project photo cannot?
Nicolaj Bak
Where a sharp project photo is descriptive and specific, abstraction leaves more room for interpretation. It can evoke a mood or feeling rather than simply documenting a place, creating a more poetic and contemplative expression. At the same time, the softer imagery brings a sense of calm and allows the visuals to support rather than dominate the communication.
Wider street view of a bus shelter billboard for 1:1 Landskab's Audebo Pumpestation project (case 23-049), showing the full shelter with the sky-toned ad and the Danish tagline 'Et lofte om form, betydning & ansvar'.
Case page for IKEA Kobenhavn by 1:1 Landskab: aerial photo of a green rooftop walkway with bike parking and pedestrians, alongside project text on a three-level, nature-based landscape spanning 12,400 sqm.
Phone mockup of the 1:1 Landskab website homepage: a large '1:' mark above an IKEA Kobenhavn project teaser with a 'Learn more' link and an aerial photo of a planted courtyard.
Tablet mockup of the 1:1 Landskab website's open navigation menu, listing Projects, Approach, Studio, Clients and Contact beside a blurred sky-and-field gradient image and social links.
Person holding an open 1:1 Landskab publication, Issue 08, featuring the Trapholt museum extension: text on the reclaimed-brick arrival wall paired with photos of tree canopy and the museum's garden path entrance.
Three cylindrical tube packages for 1:1 Landskab, two white and one black, each printed with the mark and a manifesto text on reading and shaping landscape with care and long-term responsibility.
Wider isometric view of the 1:1 Landskab letterhead mockup, showing more of the grey and black surface it rests on.

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